EXPERIENTIAL WORK: DREAMS & INNER LISTENING
Some experiences don't fully come into view through thinking alone.
There may be a sense of something just at the edge of understanding — a feeling, image, or tension that hasn't yet found words. Part of my work involves creating space to stay with these experiences and listen to them more closely, without rushing to interpret or resolve them.
This can include working with dreams, and with what is sometimes called the felt sense — a subtle, bodily way of knowing that can be difficult to describe at first, but becomes clearer when given time and attention.
WORKING WITH DREAMS
Dreams can offer another way of listening to ourselves.
For some people they are vivid and naturally compelling. For others, infrequent or not something they feel drawn to explore. Both are completely fine. Dreamwork is never required — but for those who are curious, it can become a meaningful part of the work.
I approach dreams as part of the broader life of the psyche. They can bring us closer to feelings, tensions, or questions that haven't yet surfaced in ordinary conversation. Rather than interpreting a dream from the outside, the process involves staying close to the experience of the dream itself — allowing its meaning to emerge gradually from your own sense of it.
My role is to help create the conditions for that kind of exploration, with attention, patience, and respect for the fact that the meaning of a dream belongs to the person who dreamed it.
FOCUSING & INNER EXPERIENCE
Alongside dreamwork, I draw from experiential approaches that involve attending more directly to inner experience.
This includes noticing what is present in the body — not just physical sensation, but a more subtle, often hard-to-name sense of a situation or feeling. This is sometimes called the felt sense, a term developed by philosopher and psychologist Eugene Gendlin, who worked closely with Carl Rogers.
Someone might notice that a situation feels tight, uncertain, or off in some way — before they can explain why. By staying with that unclear sense, words, images, or shifts in understanding can begin to form.
Rather than analyzing or trying to change something right away, this approach invites a slower kind of listening. New meanings or directions often begin to emerge that are not the result of problem-solving alone.
While there is some overlap with mindfulness, this process is more interactive and specific — sensing into a particular situation and engaging with it from within, rather than observing from a distance.
HOW THIS FITS INTO THERAPY
This way of working is not a structured method that needs to be followed. It is part of a broader, person-centered and experiential approach — and it shows up differently depending on what feels relevant.
At times it may involve pausing to notice something unclear, staying with a feeling or image as it becomes more defined, finding words that more closely match an inner sense, or exploring a dream and seeing what begins to emerge. At other times, therapy may remain more conversational. The process follows what feels useful to you.
TRAINING & INFLUENCES
My approach to this work has been shaped in part by training with Leslie Ellis, PhD. I completed a yearlong training in Embodied Experiential Dreamwork, and this continues to inform how I listen and work with dreams in therapy.
I am currently in ongoing training in Focusing-Oriented Therapy and plan to pursue certification through The International Focusing Institute.
This work draws from a lineage that includes Eugene Gendlin and Carl Rogers, and sits within person-centered and experiential traditions in psychotherapy.
FURTHER READING
If you’d like to learn more about these approaches:
• The International Focusing Institute
• Work and writing by Leslie Ellis
This kind of work is always optional, and is offered as one way of listening more closely to yourself—when it feels relevant, and when there is interest in exploring experience at this level.